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Grants: Grantees

2005 Grantees
Academy of Vocal Arts | Annenberg Center for the Performing Arts | The Choral Arts Society of Philadelphia | Doylestown School of Music and the Arts | International House Philadelphia | Kimmel Center for the Performing Arts | Latin Fiesta | Mendelssohn Club of Philadelphia | Montgomery County Community College | Opera Company of Philadelphia | Orchestra 2001 | Philadelphia Chamber Music Society | Philadelphia Classical Symphony | Philadelphia Museum of Art | Philadelphia Orchestra | Philomel | Piffaro | Sedgwick Cultural Center | Sruti | Strings for Schools | Panelist biographies

Hold cursor over images for credits and captions.


Keith MilllerAcademy of Vocal Arts
Le Villi and La Navarraise

Grant amount: $60,000
Grant period: 2005-2006

The Academy of Vocal Arts will produce concert versions of Giaccomo Pucinni's Le Villi and Jules Massanet’s La Navarraise, two important but rarely performed verismo operas. Vocalists will include Ailyn Perez (soprano), Jennifer G. Hsuing (mezzo-soprano), and Keith Miller (baritone). Performances will take place at the Kimmel Center for the Performing Arts.

Founded in 1934, the Academy of Vocal Arts provides tuition-free vocal training and opera experience to talented young singers who have the potential for international stature. AVA graduates include winners of prestigious vocal competitions, such as the Richard Tucker Foundation Award and the Pavarotti Competition, and frequently perform on the major opera stages of the world. Each year AVA presents its resident artists in fully stages opera performances; recent productions have included Lucrezia Borgia, The Rake’s Progress, L'amico Fritz, and the world premiere of Margaret Garwood’s The Scarlet Letter.

Annenberg CenterAnnenberg Center for the Performing Arts
New Music Series: The American Composers Orchestra

Grant amount: $160,000
Grant period: 2005-2007

The Annenberg Center for the Performing Arts will engage the American Composers Orchestra (ACO) in a residency that will bring ACO’s acclaimed Orchestra Underground programs to the Annenberg Center for a series of six new music concerts. Guest artists and organizations participating in the project include Todd Reynolds (violin), Ryuichi Sakamoto (laptop), Bill T. Jones, So Percussion, Pilobolus, and the Ridge Theater. The residency will include educational and outreach activities, as well as a program of works by Philadelphia-area composers.

Founded in 1971, the Annenberg Center for the Performing Arts presents more than 170 performances each year as part of its PENN Presents series. The Annenberg Center attracts over 175,000 people annually to PENN Presents' performances. In keeping with its tradition of presenting a varied program of established artists and artists new to Philadelphia, PENN Presents' roster for the 2005-2006 season includes a jazz series featuring some of the world’s most acclaimed artists, such as the Bill Charlap Trio and Jazz at Lincoln Center's
Afro-Latin Jazz Orchestra with Arturo O’Farrill; a classical and ballet series with performances by Orchestra Europa and the Russian National Ballet; an Irish Culture Series featuring Leahy, Tommy Makem, and Mick Moloney; and world music performances by the Soweto Gospel Choir, Masters of Caribbean Music, and Children of Uganda.

Choral Arts Society by Abdul SaleymanThe Choral Arts Society of Philadelphia
Dale Warland Conducts

Grant amount: $30,000
Grant period: 2005-2006

The Choral Arts Society of Philadelphia will host Maestro Dale Warland, the former music director and founder of the Dale Warland Singers, as guest conductor for a program of works by Howard Hanson, Rudi Tas, Arvo Pärt, Benjamin Britten, James MacMillan, Frank Ferko, Alexandre Gretchaninoff, Vytautus Miškinis, and Henryk Górecki. A regional choral conducting workshop is also planned with Mr. Warland and CASP’s Artistic Director, Matthew Glandorf.

The Choral Arts Society is recognized for performing choral music at the highest artist standards possible that is designed to enrich, engage, educate and inspire large and diverse audiences. Growing in critical acclaim and audience base, The Choral Arts Society was the 2002 National Winner of Chorus America's prestigious Margaret Hillis Award for Choral Excellence. This award was followed by Philadelphia Magazine's 2002 Best of Philly®. Choral Arts' 100-voice symphonic chorus is comprised of volunteer singers as well as a 16-voice professional core. Founded in 1982 and currently under the direction of Matthew Glandorf, Choral Arts has performed nearly 200 works by more than 100 composers in many languages.

Ernie Hawkins, photo credit: Robert CorwinDoylestown School of Music and the Arts
Stretched Strings

Grant Amount: $12,140
Grant period: 2005-2006

Doylestown School of Music and the Arts will present Stretched Strings, a series of four concerts exploring acoustic guitar practice within a variety of styles, including Travis Picking, Classical, Fingerstyle, and Blues. Each concert will feature resident artist Tim Farrell in duets with guest artists Thom Bresh, Mark Hanson, Robin Bullock, and Ernie Hawkins. An educational workshop will accompany each program.

Doylestown School of Music and the Arts offers an expansive curriculum of individual lessons, group classes, performing ensembles, seminars and recitals to over 900 students annually. DSMA reaches 2,500 individuals through its International Artist Series and student and faculty recitals. It is the largest community school of the arts in Bucks County.

Roscoe MitchellInternational House Philadelphia
Ancient to the Future

Grant amount: $26,750
Grant period: 2005-2006

International House Philadelphia will present Ancient to the Future, five jazz concerts showcasing the Association for the Advancement of Creative Musicians, Inc. (AACM). The series will both acknowledge the accomplishments of the members of the AACM, highlighting the remarkable trajectory of its elder statesmen, and represent its current musical repertoire, featuring new material, concepts and collaborations. Performing artists will include Henry Threadgill’s Zooid, Leroy Jenkins/Myra Melford Duo and Ethnic Heritage Ensemble, Wadada Leo Smith’s Golden Quartet, the Roscoe Mitchell Quartet featuring special guest Muhal Richard Abrams, and the Anthony Braxton Sextet.

Founded in 1910, International House Philadelphia is an independent, non-profit organization housing nearly 400 students, scholars, and interns from over 65 countries. International House provides more than 150 cultural, educational and social programs that assist its residents, and other international students and scholars, with their adjustment to American society and life in Philadelphia, while encouraging the cross-cultural understanding and leadership skills. International House also presents public programs to over 30,000 Philadelphia area residents throughout the year. Film at International House, the Visiting Author Series, dance performances, art exhibits, concerts, and cultural festivals all enable area audiences to explore their own roots and learn about the heritage of others.

Wu Man by LiuJunqiKimmel Center for the Performing Arts
Fresh Ink Series

Grant amount: $40,000
Grant period: 2005-2006

The Kimmel Center for the Performing Arts will present the third season of Fresh Ink, a three-concert series devoted to new music, to be held in the Kimmel Center’s Perelman Theater. The first concert presents pipa virtuoso Wu Man in a program of works by Chen Yi and Tan Dun. The second concert celebrates the 250th anniversary of Mozart’s birth with a series of Mozart-influenced commissions and improvisations by Philadelphia artists, including jazz pianist Uri Caine, violinist Gloria Justen, and Group Motion Dance Company. The series concludes with a recital by violinist Midori and pianist Robert McDonald performing works by Judith Weir, Isang Yun, Alexander Goehr, György Kurtäg, and Witold Lutoslawski.

The Kimmel Center enriches lives and creates community through its four-fold mission to: present artistic programming of the highest quality that serves diverse audiences and brings internationally-renowned artists to its stages; champion access to the arts through arts education and community programming; operate and maintain world-class performance venues; strengthen the Greater Philadelphia arts community by providing a home for its resident companies and other regional performance groups. The Kimmel Center’s facilities include Verizon Hall, Perelman Theater, Innovation Studio, and the Merck Arts Education Center and management of the Academy of Music. The Center’s facilities host eight resident companies: The Philadelphia Orchestra, Peter Nero and the Philly Pops, PHILADANCO, The Chamber Orchestra of Philadelphia, The Philadelphia Chamber Music Society, American Theater Arts for Youth, the Opera Company of Philadelphia, and the Pennsylvania Ballet.


Carlos Franzetti by Marcelo MaiaLatin Fiesta
Hispanos…Many Roots…Many Faces

Grant amount: $30,000
Grant period: 2005-2006

Latin Fiesta will present Hispanos...Many Roots...Many Faces, a Hispanic music festival involving the Latin Fiesta ensemble with Dave Valentin, Grammy-winning flutist, Raul Jaurena, a master of the bandoneon, Christian Puig, flamenco guitarist and singer, and ALO Brasil, Philadelphia-based Brazilian ensemble. The festival will feature the premiere of a commissioned suite in six movements, Alma Latina, composed by Carlos Franzetti and Grammy Award-winner Oscar Hernandez. In addition, two concerts and workshops exploring Hispanic musical heritage will be presented at the Arts Bank. The event will inaugurate an annual “Hispanic Festival on the Avenue of the Arts.”

Latin Fiesta has won national acclaim as pioneers in the presentation of crossover concerts. The 10 member ensemble is led by Cuban born concert pianist Maria del Pico Taylor, professor at Temple University and a well known authority in Hispanic music. The ensemble has performed nationwide with symphony orchestras, in festivals, residency and outreach programs.

Alan Harler (c) JL ShipmanMendelssohn Club of Philadelphia
Expression of Jewish Tradition in Contemporary American Music

Grant amount: $30,000
Grant period: 2005-2006

The Mendelssohn Club of Philadelphia will commission Philadelphia composer Andrea Clearfield for a work for chorus, orchestra, and baritone. Clearfield will set new poetry by Ellen Frankel based on the Jewish legend of the Golem. In concert, the work will be paired with Ernest Bloch’s rarely-presented masterpiece, Sacred Service (Avodah Hakodesh). The program will feature baritone Sanford Sylvan and the Chamber Orchestra of Philadelphia and will be presented at the University of Pennsylvania’s Irvine Auditorium.

One of Philadelphia's oldest avocational choruses, Mendelssohn Club of Philadelphia provides audiences with innovative programming that embraces the finest choral music of many cultures, traditions, periods and styles, including commissions of new choral works. Founded in 1874, the Mendelssohn Club's rich musical history includes the American premiere of Mahler's Eighth Symphony and the Philadelphia premieres of Brahms's Ein Deutches Requiem and Britten's War Requiem.

Azam AliMontgomery County Community College
Voices from Another World

Grant amount: $30,000
Grant period: 2005-2006

Montgomery County Community College will present Voices from Another World, two concerts by artists who bring extraordinary creative vision to vocal performance. Meredith Monk, a pioneer of extended vocal technique and interdisciplinary performance, will be presented with her Vocal Ensemble in a concert and residency program in collaboration with Bryn Mawr College. Azam Ali, born in Iran and raised in India, performs contemporary vocal interpretations that fuse medieval and Arab musical traditions. Her concert will be followed by a discussion.

The cultural mission of Montgomery County Community College is to serve as a focal point for cultural activities, providing public access to the arts for county residents through arts presenting and educational activities. Over its 15-year history, MCCC’s Lively Arts Series has introduced audiences to the work of exemplary artists representing a variety of performing mediums from different cultural traditions. Recent seasons have included performances by jazz masters Benny Golson, Ray Brown, and the Mingus Big Band.

OperaCompany by John GrigaitisOpera Company of Philadelphia
Margaret Garner

Grant amount: $80,000
Grant period: 2005-2006

The Opera Company of Philadelphia will present the world premiere production of Richard Danielpour’s Margaret Garner, co-commissioned by OCP with the Michigan Opera Theatre and the Cincinnati Opera. With a libretto by Nobel-prize winner Toni Morrison, the opera is based on the tragic story of a Kentucky slave who chose to sacrifice her infant rather than allow her to grow up in slavery. Margaret Garner’s cast will include mezzo-soprano Denyce Graves, soprano Angela Brown, baritone Gregg Baker, and bass-baritone Rodney Gilfry.

The Opera Company of Philadelphia, one of the fastest-growing opera companies in North America, is Philadelphia's only grand opera company. Established in 1975 through a merger of the Philadelphia Grand Opera Company and the Philadelphia Lyric Opera Company, the Opera Company of Philadelphia is considered home to some of opera's brightest singers, composers, directors, and conductors.

Pianist Margaret Leng Tan  by Michael DamesOrchestra 2001
First Hearings

Grant amount: $30,000
Grant period: 2005-2006

Orchestra 2001 will present First Hearings, four programs highlighted by six world premieres and six area premieres. World premieres include works by Philadelphia-area composers George Crumb, Jennifer Higdon, Gerald Levinson, Larry Nelson and his son Jordan Nelson, as well as a new work by Liviu Marinesco. Area premiers include works by Oscar winner Tan Dun and Pulitzer Prize-winning composer Aaron Jay Kernis. Works by Kaija Saariaho and Jennifer Higdon will receive their second U.S. performances, and Georges Enescu’s 1954 Chamber Symphony will receive its American premiere. The project’s four featured soloists will be Barbara Ann Martin and Sharla Nafziger (sopranos), Margaret Leng Tan (piano), and YuMi Hwang-Williams (violin).

Orchestra 2001 is one of Philadelphia's most active, ambitious, and internationally admired cultural assets, as well as one of America's most important and widely respected 20th- and 21st-century music ensembles. Recent highlights include four fully staged operas; works by 25 American composers, including 11 premieres; Shostakovich's colossal 14th Symphony in the first American performance of the composer's alternate version of the work with texts in the original languages; and four performances and a recording of Gerald Levinson's Time and the Bell.

Tokyo Quartet by Peter ChecchiaPhiladelphia Chamber Music Society
First Hearings

Grant amount: $50,000
Grant period: 2005-2006

The Philadelphia Chamber Music Society will present First Hearings, a series of world premieres of new works by William Bolcom, Nicholas Maw, and Stephen Jaffe; the U.S. premiere of a new piano trio by composer György Kurtäg; and Philadelphia premieres of works by Lewis Spratlin, Jennifer Higdon, Ezequiel Viñao, David Baker, and Augusta Read Thomas. The project features the Juilliard, Tokyo, Emerson, Miami and Guarneri String Quartet, the Beaux Arts Trio, Richard Woodhams (oboe), Jonathan Biss (piano), Diane Monroe (violin) with Michael Schmidt (piano), and Jennifer Koh (violin). Performances will be held at the Kimmel Center and other Philadelphia venues.

The Philadelphia Chamber Music Society was formed to enable audiences to enjoy exceptional international artists and ensembles, including rarely heard repertoire and new music. Since its 1985 founding, the Philadelphia Chamber Music Society has presented nearly 450 concerts featuring artists of national and international renown. The annual program today consists of more than 50 performances and 35 educational events.

Music From ChinaPhiladelphia Classical Symphony
Gateways to Global Music

Grant amount: $60,000
Grant period: 2005-2007

The Philadelphia Classical Symphony will present Gateways to Global Music, concerts designed to emphasize cross-cultural influences on musical traditions with commissions by Chen Yi and Evan Ziporyn. Each concert will bring a leading world music ensemble – Music From China in 2005-2006, and Gamelan Galak Tika in 2006-2007 – together with the PCS in an effort to identify both intersections and creative tensions in such cultural exchange. Activities will include symposia, multidisciplinary collaborations, and school residency programs.

The Philadelphia Classical Symphony was established in 1993 to foster an appreciation for classical music among new and diverse audience groups, as well as to provide a more relaxed, inviting performance format for concertgoers. In an effort to engage audiences, symphony events are organized around thematic programs and historical practices and frequently include elements of audience participation and interdisciplinary collaboration.

Philadelphia Museum of Art
Art After 5: Jazz Commissions

Grant amount: $25,000
Grant period: 2005-2006

The Philadelphia Museum of Art will commission acclaimed jazz musicians Stanley Cowell (piano) and David Liebman (saxophone) for works inspired by the Museum’s permanent collections. These works will be presented as the first original compositions commissioned for the Art After 5 program, expanding the Museum’s role as a performing arts venue and multidisciplinary cultural resource serving the greater Philadelphia community and the nation.

Chartered in 1876, the Philadelphia Museum of Art is among the largest art museums in the United States and houses collections of works from around the world. The museum presents two weekly concert series: a Wednesday night series featuring eclectic music and dance performances, films, gallery talks, and menus based on themes derived from museum exhibitions; and a Friday evening jazz series that features performances by acclaimed jazz artists.

hoto credit: Jessica Griffin Philadlephia Orchestra AssociationPhiladelphia Orchestra
First Performances, Six Commissions

Grant amount: $160,000
Grant period: 2005-2007

The Philadelphia Orchestra will commission 6 new works, to be presented in 22 concerts at the Kimmel Center for the Performing Arts. The 2005-2006 season will feature world premieres of Jennifer Higdon’s Percussion Concerto, Gerald Levinson’s Fanfare for Organ and Orchestra, for the dedication of Verizon Hall’s new organ, and new works by Sofia Gubaidulina and Bright Sheng. In the 2006-2007 season, commissioned works will include John Harbison’s Concerto for Double Bass and Orchestra, featuring the Orchestra’s Harold Robinson, and a new composition by Oliver Knussen. Guest soloists on the project will include Colin Currie (percussion), Oliver Latry (organ), and Simon Rattle (conductor).

Founded in 1900, The Philadelphia Orchestra has distinguished itself as one of the leading orchestras in the world through a century of acclaimed performances, historic international tours, and best-selling recording. The Orchestra presents a major subscription series at the Kimmel Center for the Performing Arts and comprehensive education and community partnership programs. The Philadelphia Orchestra also presents a series of concerts each year at New York's Carnegie Hall, performing encores of some of its acclaimed concerts from Philadelphia. Its summer schedule includes a month-long outdoor season in Philadelphia at The Mann Center for the Performing Arts, free concerts in local neighborhoods, and a three-week residency each August at the Saratoga Performing Arts Center in upstate New York. Christoph Eschenbach began his tenure as the Orchestra's seventh music director in September 2003.

 

Philomel by Rick DavisPhilomel
Benjamin Franklin’s Musical World

Grant Amount: $30,000
Grant period: 2005-2006

Philomel will present Benjamin Franklin’s Musical World, a three-program festival celebrating Benjamin Franklin’s Tercentenary and Philomel’s 30th anniversary. Repertoire, commentary, and program notes will explore Franklin’s tastes and interests, his role as a dedicated musical amateur, and aspects of his cultural environment. Guest artists will include Peter Sykes (organ), Laura Heimes (soprano), Chatham Baroque, and Julianne Baird (soprano), and WHYY, WRTI, and Philadelphia On Foot will collaborate.

Founded in 1976, Philomel specializes in the performance of 17th- and 18th-century music on period instruments. Philomel has performed with world-renowned artists such as Stanley Ritchie, Jaap Schroeder, and Anner Bylsma. The ensemble has released three compact discs on leading audiophile labels, Omega, Dorian, and Centaur.

Piffaro by Copper Stone PhotographyPiffaro, The Renaissance Band
Church Feasts and Worldly Songs

Grant amount: $30,000
Grant period: 2005-2006

Piffaro, The Renaissance Band will present Church Feasts and Worldly Song: Two Programs from the Renaissance. The two contrasting programs will feature, first, sacred works of early 17th century composers – Michael Praetorius, Heirich Schütz, Samuel Scheidt and their contemporaries – in a recreation of a Lutheran feast day service, and second, secular works of Jacob Obrecht, a late 15th century Flemish composer, in conjunction with a visual presentation of the paintings of his contemporary, Hieronymous Bosch. Guest artists will include the Choir of St. Ignatius Loyola of New York, Capilla Flamenca, and Laura Heimes (soprano).

Piffaro, the Renaissance Band, brings to its audiences historically informed performances of music from the late Medieval, Renaissance, and early Baroque periods, in the manner of the civic, court, and chapel wind bands that existed between 1450 and 1650. The ensemble has toured extensively throughout the US and Europe. Piffaro has had successive recording contracts with Newport Classic, Deutsche Grammophon’s Archiv Produktion, and Dorian Recordings, and has released eight recordings.

Sedgwick Cultural Center
Up the Neck: New Practices in Guitar Discourse

Grant amount: $16,505
Grant period: 2005-2006

The Sedgwick Cultural Center will present Up the Neck: New Practices in Guitar Discourse, a series that will bring together three ensembles for concerts and workshops. The concerts will approach the guitar as a locus of innovation and cross-cultural influence, and specifically, African music’s influence on recent jazz and blues. The workshops will offer guitarists and other musicians the opportunity to explore new practices in guitar technique and ensemble performance. Guest artists will include the Campbell Brothers, the Vinicus Cantuária and Bill Frisell Duo, and the Mamadou Diabate and Eric Bibb Duo.

The Sedgwick Cultural Center, dedicated to building community through the arts, provides a common meeting ground in the heart of Philadelphia’s historic northwest. Highlights of past seasons include concerts by nationally known jazz, world, folk, and classical music artists, including Benny Golson, Doc Gibbs, Sam Newsome, and Odean Pope.

K.J. Yesudas by Thanagini, IncSruti, The India Music and Dance Society
Masters in Carnatic Music

Grant amount: $20,000
Grant period: 2005-2006

Sruti, The India Music and Dance Society will present Masters in Carnatic Music, a performance series involving three groups led by outstanding musicians of India. Two concerts – a vocal concert by K.J. Yesudas and a mandolin concert by U. Shrinivas and U. Rajesh – will present compositions by Purandaradasa, Annamacharya, Thyagaraja, Dikshitar and Syama Sastri, along with improvisations in the raga and tala aspects of Carnatic music. The mandolin concert by U. Shrinivas and U. Rajesh, which will be preceded by a lecture-demonstration, will also include Konnakkol, an ancient vocal percussion tradition of South India that recently has been revived for concert settings.

Sruti, the India Music and Dance Society strives to enhance the cultural awareness of the region by presenting live Indian classical music and dance programs. Founded in 1986, Sruti has organized over 85 concerts featuring more than 300 distinguished artists, including acclaimed sitarist Ravi Shankar.

McCoy TynerStrings for Schools
New Expressions in Jazz

Grant amount: $40,000
Grant period: 2005-2006

Strings for Schools will present two concerts and a student workshop featuring the McCoy Tyner Trio with guest artist Gary Bartz (saxophone) and Strings for Schools roster artists John Blake (violin) and Marlon Simon (percussion). Involving both jazz and Latin traditions, the artists will perform new and recent compositions by both Tyner and Blake. The public concerts will be held at Temple University and in a nearby North Philadelphia community venue in conjunction with numerous intensive in-school and community outreach endeavors.

Founded in 1974, Strings for Schools presents educational programs on jazz, classical, and multicultural/multiethnic musical traditions to students in Philadelphia and the surrounding communities. Strings for Schools offers over 500 school and public concerts a year and has collaborated with such renowned artists as Billy Taylor, Quincy Jones, and Geri Allen.

Panelist Biographies

Carmen Balthrop
Soprano Carmen Balthrop made her Metropolitan Opera debut as Pamina in Mozart’s Die Zauberflote. With a repertoire ranging from Baroque opera and song to contemporary literature, she has performed leading roles with some of the world’s major opera companies and symphony orchestras, including the Metropolitan Opera, San Francisco Opera, Houston Grand Opera, Washington Opera, Canadian Opera, Deutsche Oper (Berlin), Teatro La Fenice (Venice), the New York Philharmonic, the Boston Symphony, Pittsburgh Symphony, San Francisco Symphony, Los Angeles Philharmonic, and the National Symphony. Ms. Balthrop’s discography, found on the Deutsche Grammophon, Elan, New World, and Fonit Cetra labels, includes the title roles of Scott Joplin’s Treemonisha, Claudio Monteverdi’s L’Incoronazione di Poppea, John Knowles Paine's Mass and Leslie Burrs’ Vanqui. Ms. Balthrop serves as Associate Professor of Music at the University of Maryland

Martin Bresnick
The music of Martin Bresnick has been highlighted in festivals and concerts throughout the world. His orchestral works have been performed by the National Symphony, Chicago Symphony, American Composers Orchestra, San Francisco Symphony, Münster Philharmonic, Kiel Philharmonic, St. Paul Chamber Orchestra, Oregon Symphony Orchestra, Bilbao Orkestra Sinfonika, and Izumi Sinfonietta Osaka. His chamber music has been performed in concert by The Chamber Music Society of Lincoln Center; Sonor; Da Capo Chamber Players; Speculum Musicae; Bang on A Can All Stars; MusicWorks!; Zeitgeist. He has won numerous prizes including the Rome Prize, the Stoeger Prize for Chamber Music from the Chamber Music Society of Lincoln Center, the first Charles Ives Living Award from the American Academy of Arts and Letters, and a Guggenheim Fellowship. He has been commissioned by the Koussevitzky and Fromm foundations, Chamber Music America, Meet-the-Composer, and the NEA. His work is recorded by CRI, New World, Centaur, Artifact Music, and Albany Records. Mr. Bresnick serves as Professor of Composition at Yale University.

Philip Brunelle
Conductor Philip Brunelle founded VocalEssence in 1969, leading the organization in its mission to explore the interaction of voices and instruments through innovative programming. His conducting engagements have taken him across the United States, South America and Europe. Recently he has conducted the BBC Singers, the Baltimore Symphony and the Cleveland Orchestra. He is the recipient of many international awards, including the Kodály Medal from the government of Hungary and the Royal Order of the Polar Star from the King of Sweden. In 2002, Chorus America and ASCAP presented Mr. Brunelle with a unique award celebrating his commitment to new choral music and its performance at the highest artistic level. In 2003, Chorus America again honored him, this time with its most prestigious award, the Michael Korn Founder’s Award for Development of the Choral Art.

Robert Garfias
Robert Garfias received a B.A. in music and anthropology from SFSU and an M.A. and Ph.D. in ethnomusicology from UCLA. He has served as national president of the Society for Ethnomusicology. In 1987 he was a White House appointee to the National Council on the Arts where he served for ten years. He is a former member of the Council of the Smithsonian Institution, former dean of the School of the Arts at UCI, and former Director of the University of California Education Abroad Program in Costa Rica. Dr. Garfias has conducted research in Japan, Korea, the Philippines, Mexico and Central America, Burma (Myanmar), Romania, Zimbabwe and Mozambique, Okinawa, and, most recently, Turkey. He speaks eight languages and has written on the music of many cultures as well as on policy concerning the status of the folk and traditional arts in the United States. Dr. Garfias currently serves as Professor of Anthropology at the University of California, Irvine.

Evans Mirageas
Evans Mirageas (panel chair) is an independent artistic advisor to conductors, instrumentalists, singers, symphony orchestras, opera companies, and other performing arts organizations throughout the United States and Europe. He currently works with conductors including Semyon Bychkov, Sir Roger Norrington, Dmitry Sitkovetsky, Robert Spano and Andreas Delfs. He also advises the Brooklyn Philharmonic, the Milwaukee Symphony Orchestra, the WDR Symphony Orchestra in Cologne, the Handel and Haydn Society of Boston, and the Cincinnati Opera. Prior to this, Mr. Mirageas was Senior Vice President of A & R for the Decca Record Company during which time he signed Renée Fleming, Angela Gheorghiu, Andreas Scholl, Matthias Goerne to exclusive contracts. While at Decca, he also worked with Luciano Pavarotti, Sir Georg Solti, Cecilia Bartoli, and Riccardo Chailly. Mr. Mirageas's varied career in classical music has included positions in radio production with WFMT in Chicago and as Artistic Administrator to Seiji Ozawa at the Boston Symphony.

Jason Moran
Jason Moran made his professional recording debut on Greg Osby’s 1997 Blue Note CD, Further Ado, which brought him to the attention of Blue Note executives who signed the pianist to his own record deal shortly thereafter. Moran’s debut recording as a leader, Soundtrack to Human Motion, which found him in the company of Osby, Eric Harland, vibraphonist Stefon Harris and bassist Lonnie Plaxico, was released in 1999 to great critical praise (Ben Ratliff of The New York Times named it the best album of the year). Subsequent solo recordings: Facing Left with bassist Tarus Mateen and drummer Nasheet Waits; Black Stars with avant-garde woodwind icon Sam Rivers; the solo piano disc Modernistic, and most recently, Same Mother. Moran has performed as a sideman with Cassandra Wilson, Joe Lovano, Ravi Coltrane, and Stefon Harris. He was the youngest honoree of the San Francisco Jazz Festival Commission and he has recently been awarded a grant from Chamber Music America’s “New Works: Creation and Presentation” program.

Limor Tomer
Limor Tomer was trained as a classical pianist, and holds undergraduate and graduate degrees in piano from The Juilliard School. For ten years she performed solo piano concerts and orchestral engagements in her native Israel, the U.S. and Europe. She then joined the staff of Brooklyn Academy of Music (BAM), where she worked closely with then-President Harvey Lichtenstein on a variety of projects including the creation of BAMcafé, an informal, intimate 250-seat performance space. In 1998, she launched BAMcafé Live, the music and spoken word series at BAMcafé. In 1999, Limor left the staff of BAM, and since then, has been a freelance music curator, creating eclectic programming for BAM, Symphony Space, Lincoln Center, The Whitney Museum, Neue Galerie, JVC Jazz Festival, Joe’s Pub, Exit Art Gallery, among other venues and presenters in New York. As Curator of Music for Symphony Space, Limor is responsible for Thalia Music, a series of Friday nights in the Thalia music that feature eclectic programming designed specifically for the intimate Thalia Theater.

Elisabeth Wright
Harpsichordist Elisabeth Wright has performed as a soloist, chamber musician, and continuo improviser at numerous festivals and concert series around the world, including the Boston and Berkeley Early Music festivals, Tage alter Musik, Tanglewood, Mostly Mozart Festival, Aston Magna, Lufthansa of London, Santa Fe, Sydney, Early Music Vancouver, Festival de Musica Antigua de Bogotà, Bolzano, and Festival Cervantino in Mexico. Ms. Wright has been a member of Duo Geminiani with violinist Stanley Ritchie since 1974. She has performed solo recitals and made guest appearances with Tafelmusik, Seattle, Vancouver, Portland Baroque and has collaborated with Les Sonatistes, Ye Olde Friends, and Musica Ficta. Ms. Wright has recorded for Focus, Centaur, Musical Heritage, Milan-Jade, Classic Masters, and Pro Musica Antiqua labels. She has published reviews for Early Keyboard Journal and is a founding member of the Seattle Early Music Guild and Bloomington Early Music Associates. She serves as a board member of the Early Music America, as a panelist for the National Endowment for the Arts, and as Professor of Music at Indiana University.

violin