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Grants: Grantees

2004 Grantees
Chamber Orchestra of Philadelphia | Choral Arts Society of Philadelphia | Curtis Institute of Music | Mendelssohn Club | Montgomery County Community College | Network for New Music | Opera North | Orchestra 2001 | Painted Bride Art Center | Philadelphia Chamber Music Society | Philadelphia Singers | Piffaro, The Renaissance Band | Prince Music Theater | Relâche | Sruti, The India Music and Dance Society | Panelist biographies

Hold cursor over images for credits and captions.


The Chamber Orchestra of Philadelphia will perform Michael Hersch's new work in the Perelman Theater at the Kimmel Center for the Performing Arts on June 5 and 6, 2005. Photo by Paul Sirochman.Chamber Orchestra of Philadelphia
Michael Hersch Commission

Grant amount: $23,150
Grant period: 2004-2005

The Chamber Orchestra of Philadelphia will commission and present the world premiere performance of a work by Guggenheim Fellow Michael Hersch. The composition will be performed in the Perelman Theater of the Kimmel Center for the Performing Arts with Music Director Ignat Solzhenitsyn, conducting.

Founded in 1964, the Chamber Orchestra of Philadelphia offers regional audiences concerts of the finest chamber orchestra repertoire, performed at international standards by the orchestra's exceptional professional musicians and world-renowned guest artists.

The Choral Arts Society of Philadelphia will present Stained Glass - An Exploration of Spirit on March 11, 2005 at the Philadelphia Cathedral (Episcopal) and on March 12 at Daylesford Abbey in Paoli. Photo by Allegra Boverman.The Choral Arts Society
Stained Glass – An Exploration of Spirit

Grant amount: $30,000
Grant period: 2004-2005

The Choral Arts Society’s project will examine the ethnocentric and cultural boundaries of vocal practice in the Santeria, Christian, Muslim, and Jewish religions by juxtaposing Javanese, Brazilian, Batá, contemporary American music, and a newly commissioned work by Benjamin Broening in a collage-format concert, to be conducted by acting Artistic Director Matt Glandorf. Guest artists will include the Congregation Rodeph Shalom Choir with mezzo-soprano Jody Kidwell, early music vocal ensemble In Clara Voce, Batá drumming ensemble Iré, Gamelan Son of Lion, and the Keystone State Boychoir.

The Choral Arts Society is recognized for performing choral music at the highest artist standards possible that is designed to enrich, engage, educate and inspire large and diverse audiences. Growing in critical acclaim and audience base, The Choral Arts Society was the 2002 National Winner of Chorus America's prestigious Margaret Hillis Award for Choral Excellence. This award was followed by Philadelphia Magazine's 2002 Best of Philly®. Choral Arts' 100-voice symphonic chorus is comprised of volunteer singers as well as a 16-voice professional core. Founded in 1982 and currently under the direction of Matthew Glandorf, Choral Arts has performed nearly 200 works by more than 100 composers in many languages.

Quartet of Curtis violinists. Photo by Jean Brubaker.Curtis Institute of Music
80th Anniversary Celebration: Concert on the Square

Grant amount: $15,000
Grant period: 2004-2005

To celebrate its 80th birthday, the Curtis Institute of Music will present a concert in Rittenhouse Square Park featuring music by Curtis-trained composers and performed by student brass, percussion, and string ensembles. The concert will serve as an "open door invitation" to the Philadelphia community, to be followed by 100 free concerts presented yearlong in Curtis’ Field Concert Hall.

The Curtis Institute of Music trains exceptionally gifted young musicians for careers as performing artists on the highest professional level. Founded by Mary Louise Curtis Bok in 1924, the Curtis Institute offers tuition-free training with today’s most respected artists and teachers, including Julius Baker, Leon Fleisher, Claude Frank, Gary Graffman, Jaime Laredo, Otto-Werner Mueller, Ned Rorem, and Peter Serkin, among others. Curtis’s ensembles include a symphony orchestra, an opera department, and a small number of students studying keyboard, composition, and conducting.

Alan Harler, Artistic Director of Mendelssohn Club of Philadelphia. Photo by JL Shipman.Mendelssohn Club
Choral Music on Center Stage with Film

Grant amount: $30,000
Grant period: 2004-2005

Mendelssohn Club will present Richard Einhorn’s cantata, Voices of Light, written and performed as live accompaniment to Carl Dreyer’s 1928 silent film, The Passion of Joan of Arc. The program, offered in collaboration with the Philadelphia Film Festival at the Irvine Auditorium, will be conducted by Mendelssohn Club Music Director Alan Harler with the Chamber Orchestra of Philadelphia.

One of Philadelphia's oldest avocational choruses, Mendelssohn Club of Philadelphia provides audiences with innovative programming that embraces the finest choral music of many cultures, traditions, periods and styles, including commissions of new choral works. Founded in 1874, the Mendelssohn Club's rich musical history includes the American premiere of Mahler's Eighth Symphony and the Philadelphia premieres of Brahms's Ein Deutches Requiem and Britten's War Requiem.

Kevin Mahogany will perform with Kendrick Oliver and the New Life Jazz Orchestra at the Science Center Theater at Montgomery County Community College on December 4, 2004.Montgomery County Community College
All Hues…All Blues: The Voices of American Music

Grant amount: $25,000
Grant period: 2004-2005

Montgomery County Community College will present a new concert series designed to explore three distinct styles of the blues aesthetic in American music, including the Memphis and Kansas City sounds. The series will feature James "Blood" Ulmer, Cephus and Wiggins, Kendrick Oliver and New Life Jazz Orchestra featuring Kevin Mahogany, and Mose Allison. The project will also involve ethnomusicologist Dr. Gloria Goode and Cephus and Wiggins in residency and outreach programs.

The cultural mission of Montgomery County Community College is to serve as a focal point for cultural activities, providing public access to the arts for county residents through arts presenting and educational activities. Over its 14-year history, MCCC’s Lively Arts Series has introduced audiences to the work of exemplary artists representing a variety of performing mediums from different cultural traditions. Recent seasons have included performances by jazz masters Benny Golson, Ray Brown, and the Mingus Big Band.

: The Network for New Music Ensemble. Photo by Joanna Lightner.Network for New Music
Commissioned Works

Grant amount: $60,000
Grant period: 2004-2006

The Network for New Music will commission and premiere twelve works. Compositions by Ingrid Arauco, James Primosch, Jan Krzywicki, Philip Maneval, Chen Yi, Robert Maggio, Bernard Rands, and Lee Hyla will be presented as part of Doubletake, programs performed by the NNM ensemble first alone and then with choreography by Philadelphia’s Phrenic New Ballet. The project will also include major chamber works by Steven Mackey, Shulamit Ran, Jay Reise, and a new multimedia production entitled Nightmaze by Sebastian Currier in collaboration with video projection artist Sage Carter and author Thomas Bolt.

Since 1984, Network for New Music has produced, presented and commissioned over 430 new works by composers of outstanding achievement and excellence. Winners of the 2001 CMA/ASCAP Award for Adventurous Programming, Network for New Music has collaborated with the League of Composers/ISCM, the Society of Composers, Inc., the Stefan Wolpe Society, Temple University, and University of the Arts, and has been supported by composers of international reputation including Jacob Druckman, George Rochberg, Milton Babbitt, Bernard Rands, Joan Tower, George Walker, Aaron Kernis, and Oliver Knussen.


Carmen Balthrop, soprano, will sing in Opera North's production of Vanqui.Opera North
Vanqui / Artists-in-Concert Program

Grant amount: $25,000
Grant period: 2004-2005

Opera North will present a fully staged production of Leslie Burrs’ opera Vanqui at the Prince Music Theater, featuring sopranos Carmen Balthrop and Lisa Edwards-Spurrs, and baritone Brian Johnson. Vanqui, with a libretto by John A. Williams, narrates the struggle of a murdered slave couple who seek one another beyond death. The project will also involve lyric coloratura soprano Iris Fairfax and baritone Cailin Manson in educational and community outreach activities.

Opera North, founded in 1974 as Opera Ebony, is a non profit cultural organization whose mission is to create performance opportunities for gifted minority classical concert artists, and to make opera available to more racially diverse audiences. Opera North’s productions have included Aida, Carmen, The Marriage of Figaro, II Trovatore, La Boheme, Don Pasquale, and Susannah. In addition, Opera North has developed an educational program in which it offers performances and lectures within the Philadelphia and suburban school districts.

Orchestra 2001 in concert. Photo by Kenneth Hiebert.Orchestra 2001
Commissioned Works

Grant amount: $30,000
Grant period: 2004-2005

Orchestra 2001 will commission and premiere four works. The compositions will include The River of Life, the third volume of Pulitzer prize-winner George Crumb’s American Song Cycle, based on hymns and revival tunes and featuring Crumb’s daughter, soprano Ann Crumb; Piano Concerto by local composer/pianist Charles Abramovic; Mozart’s opera Zaide, to be completed with an overture by Peter Schickele and featuring soprano Tamara Matthews; and a new chamber orchestra work by Adam Wernick. Programs will be offered in both Philadelphia and Swarthmore with Artistic Director James Freeman conducting.

Orchestra 2001 is one of Philadelphia's most active, ambitious, and internationally admired cultural assets, as well as one of America's most important and widely respected 20th- and 21st-century music ensembles. Recent highlights include four fully staged operas; works by 25 American composers, including 11 premieres; Shostakovich's colossal 14th Symphony in the first American performance of the composer's alternate version of the work with texts in the original languages; and four performances and a recording of Gerald Levinson's Time and the Bell.

Abdullah Ibrahim, pianist, will perform at the Painted Bride Art Center on November 2, 2004.Painted Bride Art Center
JazzJaunts

Grant amount: $120,000
Grant period: 2004-2006

The Painted Bride Art Center will offer a project in which seven jazz artists will compose and premiere compositions that incorporate musical traditions from their cultural roots, spanning South Africa, Cuba, Brazil, South India, Iraq, Japan, and the Jewish Diaspora. Alto saxophonist Rudresh Mahanthappa, drummer Dafnis Prieto, percussionist Guilherme Franco, pianists Abdullah Ibrahim and Shoko Nagai, and trumpeters Steven Bernstein and Amir El Saffar will each be presented with expanded ensembles in two public concerts and a workshop.

Founded in 1969, the Painted Bride Art Center is recognized nationally as a premiere venue for dance, jazz, poetry, spoken work, theater, world music, and visual arts. The Bride has presented some of the brightest legends, including Spalding Gray, Elvin Jones, and Philadanco, and has earned a reputation as an incubator for emerging artists who are breaking new ground in their fields.

The Philadelphia Chamber Music Society will present the Mannes Trio on February 13, 2005 at the Curtis Institute of Music. Photo by Christian Steiner.Philadelphia Chamber Music Society
Modern Masters

Grant amount: $50,000
Grant period: 2004-2005

The Philadelphia Chamber Music Society will present a new series consisting of nine concerts of both contemporary classical music and modern jazz, as well as the commissioning and premiere of a work by Philadelphia composer Richard Brodhead. The project will feature touring artists Regina Carter, the McCoy Tyner Trio, the Imani Winds with pianist Gilbert Kalish, the Mannes Trio, the Arditti String Quartet, and the Colorado Quartet as well as Philadelphia artists including the Odean Pope Quartet, pianist Charles Abramovic, Network for New Music with soprano Lucy Shelton, pianist Marcantonio Barone, and violinist Scott St. John. Several performing artists will also conduct master classes at collaborating educational institutes, including the Curtis Institute of Music, Temple University, and the High School for Creative and Performing Arts.

The Philadelphia Chamber Music Society was formed to enable audiences to enjoy exceptional international artists and ensembles, including rarely heard repertoire and new music. Since its 1985 founding, the Philadelphia Chamber Music Society has presented nearly 450 concerts featuring artists of national and international renown. The annual program today consists of more than 50 performances and 35 educational events.

The Philadelphia Singers will perform Psalms of Joy and Liberation at Irvine Auditorium on May 8, 2004. Photo by Candace di Carlo.Philadelphia Singers
Psalms of Joy and Liberation

Grant amount: $20,000
Grant period: 2004-2005

The Philadelphia Singers will present a program featuring the world premiere of Thomas Whitman’s Babylon, a lament for chorus and orchestra with text from a poem by Nathalie Anderson based on Psalm 137. The program will also include Handel’s rarely performed Dixit Dominus, with text taken from Psalm 110, and Schubert’s setting of Psalm 23. The program will be conducted by Philadelphia Singers Music Director David Hayes with the Chamber Orchestra of Philadelphia. In addition, the Singers will present a series of educational and community outreach activities, including multidisciplinary school workshops, panel discussions, and a pre-concert conversation.

The Philadelphia Singers is a chorus of professional singers who excel in solo as well as ensemble work. Founded in 1972, the Singers have performed with the Philadelphia Orchestra, the Pennsylvania Ballet, the Curtis Institute of Music, the Chamber Orchestra of Philadelphia, and the New York Philharmonic. They recently entered into a partnership with the Philadelphia Orchestra as its resident chorus.

Piffaro, the Renaissance Band
20th Anniversary Season – Winds, Strings and Voices

Grant amount: $30,000
Grant period: 2004-2005

Piffaro will present three programs that will integrate bowed and plucked strings and voices with its wind instruments to portray distinct periods of early music. The series will feature music of Flemish composers from the first half of the 15th century, music for the Christmas season from early 17th century Portugal, and repertoire from northern Italy and France from the mid 16th century. Guest artists include vielle artist Shira Kammen and the Medieval vocal/harp/lute trio Trefoil, the chamber choir Fuma Sacra, and the violin band The King’s Noyse with soprano Ellen Hargis.

Piffaro, the Renaissance Band, brings to its audiences historically informed performances of music from the late Medieval, Renaissance, and early Baroque periods, in the manner of the civic, court, and chapel wind bands that existed between 1450 and 1650. The ensemble has toured extensively throughout the US and Europe. Piffaro has had successive recording contracts with Newport Classic, Deutsche Grammophon’s Archiv Produktion, and Dorian Recordings, and has released eight recordings.

The Prince Music Theater will premiere Paul Dresher's The Tyrant and present an updated version of Slow Fire, one of Dresher's defining works, in their May 2005 series, CrossCurrents at the Prince.Prince Music Theater
CrossCurrents at the Prince

Grant amount: $80,000
Grant period: 2004-2005

The Prince Music Theater will produce a new contemporary musical theater festival featuring the work of composers Fred Ho and Paul Dresher. The Prince will commission and present the world premiere performances of Fred Ho and Quincy Troupe’s new opera, Mr. Mystery: The Return of Sun Ra to Planet Earth, and Paul Dresher’s The Tyrant, featuring tenor John Duykers. The project will also include theatrical productions of Ho’s Voice of the Dragon, Part 2 and a new version of Dresher’s Slow Fire with vocals by Rinde Eckert. Master classes, panel discussions, and films will be presented to complement festival programs.

Founded in 1984 as the annual American Music Theater Festival, the Prince Music Theater is dedicated to developing the unique American art form of music theater over a wide aesthetic range, including opera, music drama, musical comedy, and experimental work. In its 18-year history, the Prince has mounted more than 100 major productions, including more than 50 world or American premieres, featuring the work of Philip Glass, Julie Taymore, Patti Lupone, David Henry Hwang, Bright Sheng, Harold Prince, and many more.

Relâche ensemble. Photo by Catherine Hennessy.Relâche
Future Sounds

Grant amount: $30,000
Grant period: 2004-2005

Relâche will commission and premiere eight works on its three-concert Future Sounds series at the Prince Music Theater. Diane Monroe and Arthur Jarvinen will compose scores for animated films by Max Fleisher in a program co-produced with Film at the Prince. Gavin Bryars and Toby Twining will compose new secular oratorios. Dennis DeSantis, Roshanne Etezady, Adam B. Silverman, and Ken Ueno of the Minimum Security Composers Collective will be commissioned to create a full length radio show based on the life and work of Maurice Sendak, presented in cooperation with the Rosenbach Museum and Library and broadcast on WHYY.

Founded in 1979, Relâche is an eight-member variable instrumental ensemble dedicated to supporting, performing, and promoting music by living composers. Its repertoire maintains a close connection to the high art of classical composition and performance, but also succeeds in embracing the breadth of contemporary music culture, incorporating aspects of jazz, rock, popular, electronic, and world music. The ensemble maintains a repertoire of more than 400 pieces, including commissions by such well-known composers as Philip Glass, Michael Nyman, and Pauline Oliveros.

U. Sivaraman and his ensemble will perform Carnatic violin and percussion music in a concert presented by Sruti, the India Music and Dance Society, on October 30, 2004 at International House.Sruti, the India Music and Dance Society
Tradition and Innovation in Indian Classical Music

Grant amount: $25,000
Grant period: 2004-2005

Sruti will present a series of three concerts blending traditional and contemporary forms of both vocal and instrumental Indian classical music. The project will feature performances by the duo of vocalist Shankar and 10-string stereophonic double violinist Gingger, mridangam artist Padmashri Umayalpuram Sivaraman, and vocalist Sanjay Subrahmanyam, and will present six percussionists in a lecture/demonstration on rhythmic aspects of Indian classical music.

Sruti, the India Music and Dance Society strives to enhance the cultural awareness of the region by presenting live Indian classical music and dance programs. Founded in 1986, Sruti has organized over 85 concerts featuring more than 300 distinguished artists, including acclaimed sitarist Ravi Shankar.

 

Panelist Biographies

Louise Basbas, Executive Director, Music Before 1800
Louise Basbas is the executive director of the distinguished concert series, Music Before 1800, which she established in 1975. Music Before 1800 presents up-and-coming performers, debut events and established soloists and groups from both the United States and abroad. As director of music and the organist at Corpus Christi Church, Ms. Basbas conducts the Choir of Corpus Christi Church, an ensemble which specializes in historically informed performance. The professional ensemble performs regularly for the Music Before 1800 concert series. Other appearances include the premiere and subsequent performances of Arvo Pärt’s Passio for the Great Performers at Lincoln Center series and again at Lincoln Center with Sir Roger Norrington at the Mostly Mozart Festival. An accomplished organist, Ms. Basbas frequently conducts the choir from the keyboard. Her choice of repertory reflects an adventurous interest in seldom-heard and unusual compositions—newly edited renaissance and baroque music, contemporary music, and commissioned works. She is the organist and director of music at Temple Israel of the City of New York.

Harolyn Blackwell, Soprano
One of the brightest stars on stages in the U.S. and abroad, charismatic soprano Harolyn Blackwell has been hailed by audiences and critics alike as a "model of agility, spunk, charm and silvery tone" for her expressive and exuberant performances, as well as for her radiant voice. She has performed with many of the major national and international opera companies and at festivals around the world, including Lyric Opera of Chicago, Glyndebourne Festival, Teatro Colon de Buenos Aires, San Francisco Opera, Netherlands Opera, Seattle Opera, Opéra de Nice, Miami Opera, Canadian Opera Company, Aix-en-Provence Festival, Opera Orchestra of New York, and New York’s Mostly Mozart Festival, among others. At the Metropolitan Opera, she has appeared in several productions, including La Fille du Régiment, Un Ballo in Maschera, Le Nozze di Figaro, Manon, Die Fledermaus, and Werther. Miss Blackwell’s operatic and symphonic engagements have included appearances under the batons of such renowned conductors as Herbert Blomstedt, James Conlon, Christoph von Dohnanyi, Charles Dutoit, Erich Kunzel, James Levine, Andrew Litton, Zdenek Macal, Kurt Masur, Trevor Pinnock, André Previn, Simon Rattle, Gerard Schwarz, Leonard Slatkin, and David Zinman. Ms. Blackwell has appeared with major American symphony orchestras, including The Minnesota Orchestra, The National Symphony Orchestra, and The Philadelphia Orchestra. She has also appeared with The Munich Philharmonic, The Dallas Symphony Orchestra, The London Symphony Orchestra, and the New York Philharmonic. To date, Miss Blackwell’s recordings include the role of Clara in the Glyndebourne Festival’s Porgy and Bess (EMI); Cunegonde in the Broadway cast album of Candide (RCA-Victor), and two solo albums: Strange Hurt (RCA-Victor) and Blackwell Sings Bernstein (RCA-Victor). She is also featured on: Selections from Porgy and Bess (Telarc); The Canadian Brass: Noel (RCA-Victor); and Sondheim: A Celebration at Carnegie Hall (RCA-Victor).

Robert E. Brown, President, Center for World Music
Robert Brown has a B. Mus. degree in piano and organ from Ithaca College, studied composition at Cornell University, and joined the new ethnomusicology program at UCLA in 1953. His field research in India under Fulbright and Ford Foundation grants during the late 1950s led to a dissertation on South Indian drumming. During the 1960s he helped to develop new undergraduate, M.A., and doctoral programs at Wesleyan University in Connecticut with a large faculty of visiting artists from abroad. To emphasize the special nature of these programs, he coined the term "world music." After leaving Wesleyan in 1971, Dr. Brown continued to develop world music programs at California Institute of the Arts, the Center for World Music in San Francisco, and for thirteen years at San Diego State University, where he served as Chair of Music from 1978-1981. Beginning in the early 1970s he also produced a number of recordings of Javanese and Balinese gamelan for the Nonesuch Explorer Series, recently re-released on compact discs. Later he worked on the Voyager Golden Record with Carl Sagan. Upon retirement from San Diego State at the end of 1993, Brown returned to UCLA as a Visiting Lecturer, working with the Javanese and Balinese gamelans and lecturing on the undergraduate and graduate levels. In the fall of 1994, and again in fall 1999, he visited ten countries around the world as a faculty member of the University of Pittsburgh's Semester at Sea aboard the S. S. Universe, lecturing on world music, and directing Balinese gamelan and South Indian performance study groups. Prior to 9/11 he returned each year to Istanbul, Turkey, to direct field experiences involving Turkish music, cuisine, arts and culture for Semester at Sea. As president of the non-profit Center for World Music in San Diego, Dr. Brown has led music tours to India and Turkey, and spends part of each year at his second home in Payangan, Bali, where he has led yearly cultural tours in Indonesia and holds yearly summer study programs for American students, first begun in 1971. In 2002 he organized the yearly Payangan Festival of Traditional Music, Dance, and Theater.

Samuel C. Dixon (panel chair), Classical Music Management Consultant
Samuel Dixon is an independent classical music management consultant specializing in artistic planning, project management, music personnel searches, and strategic planning for professional non-profit music ensembles. A 1983 graduate of the American Symphony Orchestra League’s national Orchestra Management Fellowship Program, his twenty-year career has encompassed senior management positions in artistic and festival management with the Minnesota Orchestra, the Atlanta Symphony Orchestra, and the Saint Louis Symphony Orchestra. As artistic administrator of the Symphony Australia network, he managed concert programming and national artistic development programs for the six orchestras of the Australian Broadcasting Corporation. Most recently, as Vice President for Artistic Operations at the Music Academy of the West in Santa Barbara, he oversaw students and faculty, festival programming, educational program development, and annual alumni giving. Since 1999, Dixon has provided artistic and management services for a variety of leading music organizations, including Chicago’s Music of the Baroque Orchestra & Chorus, the Saint Paul Chamber Orchestra, the Boston Philharmonic, Trio Chicago & Friends, the Music Academy of the West, Symphony Australia, the American Symphony Orchestra League, and the Hamakua Music Festival on the Big Island of Hawaii. He received his bachelor’s degree magna cum laude with highest distinction in music from Dartmouth College, and his master’s degree from Northwestern University’s Kellogg School of Management.

Greg Osby, Saxophonist, Composer, New School University
Saxophonist, composer, and lecturer Greg Osby has recorded and toured with such diverse artists as Herbie Hancock, Dizzy Gillespie, Jack DeJohnette, Andrew Hill, Muhal Richard Abrams, Jim Hall and Jaki Byard. He has performed with Dr. Billy Taylor's "Jazz at the Kennedy Center," which is broadcast on NPR. Mr. Osby is a four time winner of the prestigious Jazz Journalists Award and is a recent recipient of the Doris Duke Foundation award for composers. Osby has been a Blue Note records recording artist since 1989. In addition to his performance schedule, Osby devotes a generous amount of his time to educational activities. He was an adjunct faculty member in the jazz program at The Peabody Conservatory in Baltimore, Maryland from 2000 to 2003, a faculty member of the University of the Arts in Philadelphia and the New School in New York and has led clinics and lectures at some of the most prestigious music conservatories in the world. In November 2003, Osby brought his group to Harvard University where they were in residency for a week of clinics and performances. The residency included a commission of a new work, which Osby and his quartet premiered at the closing concert. Osby continues to tour with his primary groups the "Greg Osby Four" and "Symbols of Light," an eight piece string and woodwind ensemble.

Robert Page, Music Director, Mendelssohn Choir of Pittsburgh; Choral Director, Pittsburgh Symphony Orchestra; Paul Mellon Distinguished Professor of Music, Carnegie Mellon
Robert Page is, during the 2003-2004 season, completing his 25th year as music director/conductor of the Mendelssohn Choir of Pittsburgh. He is also Paul Mellon Distinguished Professor of Music at Carnegie Mellon University and holds the title of Director of Special Projects and Choral Activities with the Pittsburgh Symphony Orchestra. Named Pennsylvania's Artist of the Year in 1998, he has been dubbed "a national treasure" by American Record Review. Page was the Assistant Conductor and Director of Choruses of The Cleveland Orchestra from 1971-1989, and was closely associated with the Philadelphia Orchestra from 1968-1975 during his tenure as Director of Choral Activities at Temple University. Page has received eight Grammy nominations and was awarded two and has been awarded the Grand Prix du Disc and the Prix Mondial de Montreux. His Robert Page Festival Singers, formed in 1999, has appeared at the Mikkeli Festival (Finland), White Nights Festival (St. Petersburg) and twice opened the Dvorak Festival in Zlonice.

Bright Sheng, Composer, Leonard Bernstein Distinguished Professor, University of Michigan
Proclaimed "an innovative composer who merges diverse musical customs in works that transcend conventional aesthetic boundaries," Bright Sheng received the coveted MacArthur Foundation Fellowship – the so-called "Genius Award" – in November 2001. His music is noted for its lyrical, limpid melodies inspired by the folk music of China, particularly from the remote Chinese province of Qinghai, where Sheng was sent during the Cultural Revolution; a Bartokian sense of rhythmic propulsion; and musical and theatrical gestures borrowed or derived from Chinese opera. In addition to a MacArthur Foundation fellowship, Sheng has received prizes from the National Endowment for the Arts, American Academy and Institute of Arts and Letters, Guggenheim, Rockefeller, Naumberg, Jerome, Koussevitzky and Copland foundations, the Mary Flagler Cary Charitable Trust, the Kennedy Center and Tanglewood Music Center. His catalogue contains over one hundred works for a diverse body of instruments. Among the organizations that have commissioned and performed his works are the Los Angeles Philharmonic, Boston Symphony, Philadelphia Orchestra, Houston Symphony, Seattle Symphony, St. Paul Chamber Orchestra, Carnegie Hall, the Shanghai Symphony, Singapore Symphony, the Danish and Finnish Radio symphony orchestras, Hong Kong Philharmonic, Orchestra sinfonica dell’Accademia Nazionale di Santa Cecilia, the Chamber Music Society of Lincoln Center, the Tanglewood and Aspen music festivals, the Cheltenham (UK) International Music Festival and the Hong Kong Arts Festival. Since 1998 Sheng has been Artistic Advisor to the "Silk Road Project" an international program that identifies, archives and interprets musical traditions of the Far Eastern trade routes. Since 1995 Mr. Sheng has served on the composition faculty at the University of Michigan. His works can be heard on Sony Classical, BIS, Delos, Koch International, New World and Naxos labels.

Hanako Yamaguchi, Director of Music Programming, Lincoln Center for the Performing Arts
Hanako Yamaguchi is currently Director of Music Programming at Lincoln Center for the Performing Arts, where she oversees the planning and production of approximately 120 musical events per year as part of the Great Performers series and the Mostly Mozart Festival. Her wide-ranging responsibilities include programming various concert series for orchestra, vocal or instrumental recital, and chamber orchestra. In addition, she curates special repertoire-focused festivals and thematic projects (such as Garrick Ohlsson and Busoni, the Emerson Quartet and Shostakovich, and festivals celebrating the composers John Adams, Louis Andriessen, and Hector Berlioz) and organizes an annual film series focusing on archival footage of music performances (some recent examples are Great Pianists and Violinists of the 20th Century, operettas, and Verdi operas.) She also manages educational activities such as pre-concert lectures, symposia, family programs, and a series devoted to the appreciation of great works. Prior to this she worked in the recording business at BMG and as associate editor at Stagebill magazine. Hanako has an honors degree in music from Brown University.